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The Rearview Mirror
Yunnan China, the Reformation, American Rhapsody, and the Ancient Yule
The Story
The Show!
The Tunes
The Artists
The Reviews
Buy Vinyl & CD
the show!
Mezzrow Jazz Club
New York City
Monday, November 30, 2026
Sets at 6pm and 7:30pm
TICKETS and STREAM
the tunes
Verbum Supernum Prodiens -- 13th century
Veni Redemptor Gencium -- 13th century
Verbum Caro -- 13th century
Ideomelon for Christmas: Kassia -- 9th century
Angelis ad Virginem -- 1350
Verbum Caro Factum Est--Dies Est Leticie -- 1420
Arabic Nativity: Romanus the Melodist -- 6th century
Qui Creavit Celum -- 1300
Lullay, lullow: I Saw a Swete Semly Syght -- 1450
Nowell-Deius Wous Garde -- 13th century
Wassail, Wassail, All Over the Towne -- 16th century
the story
Rearview Mirror is the logical sequel to Burnett Thompson’s previous offerings: An Ancient Yule, American Rhapsody, Reformation: Age of Mayhem, Autumn in Yunnan 云南秋日, Shakespeare: My Love is as a Fever, Christmas in Vienna, Beauty's Rose and Creation: A Jazz Suite.
Each of these albums tells a story, a narrative that spans millennia rather than decades. New and borrowed compositions comprise the programs, including ancient music of Native Americans, Africans, Chinese, Arabs, Byzantines and Turks, the Sephardic diaspora, and the Europeans.
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An Ancient Yule revels in two millennia of music that celebrate Christmas. The earliest records we have include the music of composers Kassiani (720-780 A.D.), Romanos the Melodist (620-670 A.D.) and of course Hildegard of Bingen in the 11th century. It is of consequence to note that the texts survived from before the 11th century, but the melodies were passed down through oral tradition, first notated in western style in the 11th century.
Anyone who has followed the work of pianist/composer Burnett Thompson will know that the music will be a revelation, and will present the music in startlingly creative fashion. The cast of bassist Alex Blake and drummer Tommy Campbell ensures an experience at the most creative edges of the musical realm.
the artists
Bassist Tommy Campbell Campbell’s long tenure with Dizzy Gillespie began in the late 70’s and continued through the 80’s and 90’s.
“Dizzy taught me to be as relaxed and loose about the music. He knew how to have fun while being serious at the same time. It was a balance, like the music. He attracted entertainers, lesser-known musicians, and fans into jazz music.
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Tommy has been inspired by legendary drummers such as Buddy Rich, Billy Cobham, Max Roach, the late greats Art Blakey and Tony Williams. Mr. Campbell has earned a well-deserved reputation as one of Jazz’s leading talents. He has performed as a regular member with Dizzy Gillespie, Sonny Rollins, John McLaughlin, The Manhattan Transfer, Kevin Eubanks, Jimmy Smith, Stanley Jordan, Tania Maria, Gary Burton, and a host of other Jazz greats. Tommy’s intelligent, exciting and stylistically authentic drumming has established him as a leading member of a new generation of Jazz Masters.
Bassist Alex Blake began his career with Sun Ra and Dizzy Gillespie, eventually pairing with NEA Master Randy Weston’s African Rhythms. He has appeared at most major venues throughout the world, and is known for his powerful and unique approach to the instrument.
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Together with Burnett Thompson, he celebrates 5 years of collaboration, including eclectic performances of Chinese traditional music, European Renaissance liturgical and folk melodies, and their own compositions. Extended Bio: Bassist Alex Blake, born in Panama City, Panama, has a revolutionary playing style and technique distinctly his own. He combines innovative strumming, rapid lyrical notations and percussive slaps on his bass to create a unique and compelling sound. Some have called him “an entire rhythm section”
Pianist/Composer Burnett Thompson brings An Ancient Yule, successor to the series of his recent exploratory albums. Autumn in Yunnan云南秋日 delved into the complex web of folk melodies of southwestern China. Reformation: Age of Mayhem presented folk and liturgical music of Middle Europe of the late Renaissance, while American Rhapsody offered 17th century melodies of Native American, Africans, and Europeans in the Americas.
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Burnett Thompson has allowed music to draw him into countless corners of the planet, from the mountains of Yunnan, China to the mews of London, cellars of Vienna, medinas of north Africa, and back to the alleys of Beijing. He is the founder and director of Piano Jazz DC, now in its 12th season. Extended Bio: Burnett Thompson, pianist, composer, educator, splits his time between New York, Washington, DC, numerous European capitals, and major cities in China. His work in China has included lectures, master classes and performances in Xiamen, Ningbo, Chengdu, Wuhan, Shenyang, Dalian, Beijing, Kunming, Shenzhen and Shanghai. He has been funded by the Chinese government and universities, the U.S. State Department, and is on the Fulbright Specialist Program roster.
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